← the wall
King Bahram, who has married Khassa’s daughter, has her tied to a camel to be abandoned in the desert as a result of false accusations made by Khulasa, from a Tuti-nama (Tales of a Parrot): Fifty-first Nightclick to zoom
The Cleveland Museum of Art

King Bahram, who has married Khassa’s daughter, has her tied to a camel to be abandoned in the desert as a result of false accusations made by Khulasa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night

Unknown maker
Medium
gum tempera, ink, and gold on paper
Dimensions
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 7.4 x 10.3 cm (2 15/16 x 4 1/16 in.)
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Classification
Painting
Dated
c. 1560
Pixels
2209 × 3400
SHA-256
6a566aa360a15b0a…
Record
View at the source institution ↗
License, verbatimCC0
The Cleveland Museum of Art: Open Access, Creative Commons Zero (CC0). Flagged share_license_status=CC0 in the museum's own record.
King Bahram, who has married Khassa’s daughter, has her tied to a camel to be abandoned in the desert as a result of false accusations made by Khulasa, from a Tuti-nama (Tales of a Parrot): Fifty-first Night. c. 1560. The Cleveland Museum of Art.
Download original · 3.5 MBFind its kinWander from here